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The AYTM Angui Oval Mirror combines a tall oval silhouette with a simple steel frame, creating a wall mirror that feels decorative without becoming overly ornate.
Part of the wider AYTM collection at RB12, Angui reflects the Danish brand’s more expressive interpretation of Scandinavian design, using colour, shape and material to give everyday interior objects a stronger visual identity.
The elongated oval form is particularly useful where you want to soften the straight architectural lines created by doors, furniture and wall edges while still retaining a clean contemporary look.
AYTM describes Angui through its distinctive pipe-style frame. The narrow steel outline follows the oval edge of the mirror, giving the reflective surface definition without surrounding it with a heavy or decorative border.
That simplicity helps Angui work in several types of interior, from Scandinavian bedrooms and dressing spaces to hallways where a mirror needs to add both function and shape without occupying significant visual depth.
The material specification is deliberately straightforward:
The slim steel surround is an important part of the Angui character. Rather than disguising the mirror within a broad timber or upholstered frame, AYTM uses the metal outline to emphasise the oval geometry itself.
RB12 offers the Angui Oval Mirror in two sizes, allowing the scale of the mirror to be matched more closely to the wall and furniture around it.
The 78 cm version is particularly easy to place above a smaller console, chest or dressing area. The 108 cm mirror creates greater vertical presence and reflects more of the surrounding room while retaining the same narrow 2 cm profile.
RB12 currently offers the Angui Oval Mirror in five colours:
Taupe and Anthracite provide the most restrained options and integrate naturally with neutral interiors. Gold introduces a warmer metallic accent, while Rose gives the mirror a more expressive decorative character.
Use the product options above to confirm the exact colour and size combinations currently available from RB12.
AYTM specifically positions Angui for spaces such as hallways and bedrooms. In an entrance or hallway, the elongated mirror adds a useful reflective surface without requiring the width of a large round mirror.
The oval shape also pairs naturally with straighter furniture such as console tables and cabinets, helping soften the more angular geometry usually found within an entrance space.
In a bedroom, Angui can be used above a chest of drawers, dressing surface or other lower furniture where a full-length mirror is not required.
The larger 108 cm version creates a stronger vertical feature, while the smaller mirror is useful where wall space is tighter or where the mirror needs to sit comfortably between lighting, storage or artwork.
AYTM suggests using the Angui mirror individually or combining several mirrors together. Repeating the same oval form can turn a practical wall mirror into a more decorative installation.
For a calmer effect, use matching sizes and colours. For something more expressive, the two available sizes and different frame colours provide greater freedom to build a composition across a wider wall.
Angui is a wider mirror family rather than one isolated design. RB12 carries several formats that use the same distinctive steel-frame language.
For a full-length freestanding option, the AYTM Angui Floor Mirror stands 180 cm high and combines its steel frame with a marble base and small integrated shelf.
The AYTM Angui Wardrobe Mirror provides another larger-scale interpretation, adding a discreet clothes rail behind the mirror for bedrooms and dressing areas.
RB12 also carries the Angui Table Mirror for dressing tables and smaller surfaces, allowing the same collection to move from wall mirror to full-length and tabletop formats.
For a simpler geometric alternative, compare Angui with the AYTM Circum Mirror.
Circum uses a circular form and is available in diameters extending up to 110 cm, making it especially effective above consoles and sideboards where a broad round mirror better suits the proportions of the furniture below.
Choose Angui when you want a narrower vertical shape and a more elongated reflection. Choose Circum when a round mirror and wider wall presence are the priority.
For a more architectural mirror shape, the AYTM Arcus Mirror takes its inspiration from historic architectural arches.
Arcus is considerably more substantial, with sizes up to approximately 45 × 140 cm, and can create a stronger wall feature. Angui remains the more delicate option, with its slim steel surround and softer oval outline.
Choose Angui for a lighter Scandinavian expression; choose Arcus when you want the mirror itself to become a stronger architectural statement.
AYTM offers one of the broadest Scandinavian mirror selections at RB12, spanning oval, round, arched, tabletop, wardrobe and freestanding designs.
The Angui family provides the strongest collection continuity, while Circum and Arcus offer alternative geometric approaches for different wall proportions and interior styles.
Browse RB12’s wider collection of designer mirrors to compare Angui with round, rectangular, full-length, timber-framed and sculptural mirrors from AYTM, Bolia, Bonaldo, Cattelan Italia and other contemporary design brands.
The AYTM Angui Oval Mirror combines a tall oval silhouette with a simple steel frame, creating a wall mirror that feels decorative without becoming overly ornate.
Part of the wider AYTM collection at RB12, Angui reflects the Danish brand’s more expressive interpretation of Scandinavian design, using colour, shape and material to give everyday interior objects a stronger visual identity.
The elongated oval form is particularly useful where you want to soften the straight architectural lines created by doors, furniture and wall edges while still retaining a clean contemporary look.
AYTM describes Angui through its distinctive pipe-style frame. The narrow steel outline follows the oval edge of the mirror, giving the reflective surface definition without surrounding it with a heavy or decorative border.
That simplicity helps Angui work in several types of interior, from Scandinavian bedrooms and dressing spaces to hallways where a mirror needs to add both function and shape without occupying significant visual depth.
The material specification is deliberately straightforward:
The slim steel surround is an important part of the Angui character. Rather than disguising the mirror within a broad timber or upholstered frame, AYTM uses the metal outline to emphasise the oval geometry itself.
RB12 offers the Angui Oval Mirror in two sizes, allowing the scale of the mirror to be matched more closely to the wall and furniture around it.
The 78 cm version is particularly easy to place above a smaller console, chest or dressing area. The 108 cm mirror creates greater vertical presence and reflects more of the surrounding room while retaining the same narrow 2 cm profile.
RB12 currently offers the Angui Oval Mirror in five colours:
Taupe and Anthracite provide the most restrained options and integrate naturally with neutral interiors. Gold introduces a warmer metallic accent, while Rose gives the mirror a more expressive decorative character.
Use the product options above to confirm the exact colour and size combinations currently available from RB12.
AYTM specifically positions Angui for spaces such as hallways and bedrooms. In an entrance or hallway, the elongated mirror adds a useful reflective surface without requiring the width of a large round mirror.
The oval shape also pairs naturally with straighter furniture such as console tables and cabinets, helping soften the more angular geometry usually found within an entrance space.
In a bedroom, Angui can be used above a chest of drawers, dressing surface or other lower furniture where a full-length mirror is not required.
The larger 108 cm version creates a stronger vertical feature, while the smaller mirror is useful where wall space is tighter or where the mirror needs to sit comfortably between lighting, storage or artwork.
AYTM suggests using the Angui mirror individually or combining several mirrors together. Repeating the same oval form can turn a practical wall mirror into a more decorative installation.
For a calmer effect, use matching sizes and colours. For something more expressive, the two available sizes and different frame colours provide greater freedom to build a composition across a wider wall.
Angui is a wider mirror family rather than one isolated design. RB12 carries several formats that use the same distinctive steel-frame language.
For a full-length freestanding option, the AYTM Angui Floor Mirror stands 180 cm high and combines its steel frame with a marble base and small integrated shelf.
The AYTM Angui Wardrobe Mirror provides another larger-scale interpretation, adding a discreet clothes rail behind the mirror for bedrooms and dressing areas.
RB12 also carries the Angui Table Mirror for dressing tables and smaller surfaces, allowing the same collection to move from wall mirror to full-length and tabletop formats.
For a simpler geometric alternative, compare Angui with the AYTM Circum Mirror.
Circum uses a circular form and is available in diameters extending up to 110 cm, making it especially effective above consoles and sideboards where a broad round mirror better suits the proportions of the furniture below.
Choose Angui when you want a narrower vertical shape and a more elongated reflection. Choose Circum when a round mirror and wider wall presence are the priority.
For a more architectural mirror shape, the AYTM Arcus Mirror takes its inspiration from historic architectural arches.
Arcus is considerably more substantial, with sizes up to approximately 45 × 140 cm, and can create a stronger wall feature. Angui remains the more delicate option, with its slim steel surround and softer oval outline.
Choose Angui for a lighter Scandinavian expression; choose Arcus when you want the mirror itself to become a stronger architectural statement.
AYTM offers one of the broadest Scandinavian mirror selections at RB12, spanning oval, round, arched, tabletop, wardrobe and freestanding designs.
The Angui family provides the strongest collection continuity, while Circum and Arcus offer alternative geometric approaches for different wall proportions and interior styles.
Browse RB12’s wider collection of designer mirrors to compare Angui with round, rectangular, full-length, timber-framed and sculptural mirrors from AYTM, Bolia, Bonaldo, Cattelan Italia and other contemporary design brands.
The AYTM CASTELLUM Side Table combines a natural stone tabletop with a slender steel frame to create a piece that feels architectural, sculptural and quietly refined.
Its circular proportions and carefully balanced construction give CASTELLUM a strong visual identity without making the table feel heavy or overly decorative.
CASTELLUM was designed by Henrik Johannes Drecker for AYTM. The collection draws inspiration from the monumental architecture of Grundtvigs Kirke in Copenhagen, translating its sense of structure, proportion and calm into a much smaller piece of furniture.
The result is a side table that feels considered from every angle, combining simple geometry with a more expressive sculptural detail.
The inspiration for CASTELLUM comes from Grundtvigs Kirke, one of Copenhagen’s most distinctive architectural landmarks.
Its influence can be seen in the table’s sense of verticality, symmetry and restrained ornament, while the spherical detail introduces a softer focal point within the otherwise structured composition.
CASTELLUM is available with either a travertine or marble tabletop, depending on the selected finish.
The Light Sand version is paired with travertine, bringing warmth and natural variation to the design, while the Black version uses black marble for a darker and more dramatic expression.
Because both travertine and marble are natural materials, variations in colour, veining and surface character are part of the individuality of each table.
The stone top is supported by a steel frame that gives CASTELLUM its clean, architectural outline.
A curved vertical element connects the different parts of the design, while the decorative sphere provides a recognisable detail that links CASTELLUM to the wider collection.
CASTELLUM measures 40 cm in diameter and stands 60 cm high, giving it a compact footprint that works naturally beside sofas, armchairs and beds.
Its taller side-table height keeps the stone surface within easy reach while allowing the table to occupy very little floor space.
CASTELLUM is designed to work across different areas of the home. Beside a sofa or lounge chair, it provides a refined surface for drinks, books and decorative objects.
Its 60 cm height also makes it a natural alternative to a conventional bedside table, particularly in bedrooms where a lighter and more sculptural piece of furniture is preferred.
The CASTELLUM Side Table is available in two distinct material combinations, allowing the same design to take on very different personalities.
Light Sand with travertine creates a softer and more natural expression, pairing especially well with cream upholstery, oak and warm neutral interiors.
Black with black marble gives CASTELLUM a stronger and more graphic character, making it particularly effective in darker, more architectural interior schemes.
Although compact in scale, CASTELLUM has enough material contrast and sculptural detail to become a focal point within the room.
The combination of stone, steel and the distinctive spherical detail gives it more presence than a conventional occasional table while keeping the overall design refined and easy to place.
Explore more from AYTM, or discover RB12’s wider collection of designer coffee tables and side tables.
For everyday cleaning, wipe the frame and stone surface gently with a damp cloth and dry with a soft cloth where necessary.
Travertine and marble are natural stone materials and should not be cleaned with acidic products such as vinegar or acidic detergents.
Wipe away spills promptly, particularly acidic or strongly coloured liquids, to help reduce the risk of staining or marking the stone surface.
At RB12 we curate, we don’t just stock. Every brand we carry is chosen for its design integrity, craftsmanship and longevity — pieces made to be lived with, not replaced.
We favour makers who combine timeless aesthetics with intelligent engineering, offer meaningful customisation, and uphold responsible sourcing and production. Reliability matters as much as beauty, so we partner with manufacturers who deliver consistent quality, clear lead times and strong aftercare.
The result is a considered edit of European and global names — iconic houses alongside exceptional emerging studios — that complement one another across style, scale and budget.
When you shop our brands, you’re buying into standards we stand behind: enduring materials, refined detailing, and a service experience that takes you from fabric books to white-glove delivery with confidence.
Composition:
Composition:
These elegant marble and travertine tables in natural colours can be placed together – creating a stacked effect as the tables have different heights and shapes. The design is simple with thoughtful details on the table legs that gracefully and worthily carry the marble and travertine table tops. When placed together, the tables create a true work of art worthy of displaying in the centre of your home, perhaps as the focal point of your living room.
These elegant marble and travertine tables in natural colours can be placed together – creating a stacked effect as the tables have different heights and shapes. The design is simple with thoughtful details on the table legs that gracefully and worthily carry the marble and travertine table tops. When placed together, the tables create a true work of art worthy of displaying in the centre of your home, perhaps as the focal point of your living room.
After the week of sunshine we’ve just had around the UK, it seems strange to think many places had snow as little as two weeks ago! But with that in mind, we thought it would be a good time to talk about a design movement that emerged in the early 20th century – Scandinavian design.
A brief history of Danish design
This method of design is defined by its origin from the countries of Sweden, Denmark and Norway – but it has become a style that has influenced the entire globe since its beginnings. The 1930’s became what is known as the ‘Golden Age of Scandinavian design’ due to the influence of designers such as Alvar Aalto (The creator of the Model 60 stool) and Hans Wegner (Wishbone Chair).
In the 1950s international interest grew, and American manufacturers in the US obtained licenses to mass-produce Danish designs. In fact, one of Wegner’s designs was used in an infamous televised debate in 1960 between Richard Nixon and John F Kennedy, which was so iconic that it led to that particular design being known as simply, ‘The Chair’.
From the 1990s onwards there has been another revival that hasn’t and doesn’t seem to be going anywhere. We’re sure you’ve come across the word Hygge (Pronounced “Hoo-ga”), which is a Danish concept which in one word, encompasses the feeling of cosy contentment and well-being. Something we believe that anyone would want to describe their home or living space.
The look
Danish design is a timeless style that is marked by its focus on clean, simple lines and functionality, but without sacrificing beauty. It shares many elements with mid-century modern design but it favours bright, airy spaces rather than darker colours with less focus on light.
A manufacturer that implements this style can be found at RB12, known as Bolia. They design and manufacture beautiful Scandinavian furniture, handcrafted sustainably and tailored to this ageless style. Inspired by rolling meadows, icy fjords and refreshing forests their collections are totally inspired by nature. Every design is inherently tranquil.
Alp is new to their collection and is a dining table with accompanying bench seating. It is handmade with FSC-certified wood which is both natural and durable. Its clean and architectural lines give it an understated look, perfect for a large dining space filled with natural light.
Bolia have also launched their Spring/Summer collection this week so we couldn’t miss the opportunity to highlight some of our top picks from the launch. The Story coffee table comes in two very functional styles. The beautiful handcrafted details are both elegant and fit perfectly with the high-end design style we are talking about today. Made from FCS-certified wood this piece boasts easy-access storage too.
Another favourite from this launch is the Aya Sofabed. It is a new modular sofa with cushions filled with Bolia’s new soft filling for extra comfort. The covers are removable, which means they can be easily washed and gives the product great longevity – something crucial to the Danish way of design. Sustainable and eco-friendly design is so important and throw-away design is becoming a thing of the past!
Although this style is minimalist and simple, the concept still manages to be eye-catching and impactful. Supplier AYTM approaches the concept of Nordic design in a very sophisticated and elegant way. One of their latest designs is the NOVO bar stool. This piece also features stunning curves, drawing reference to old Danish classics but bringing it to modern life, winning the German Design Award 2021. This design comes in 6 different colourways so could suit a variety of different spaces.
Touching on the Hygge element of Scandi-design, rugs are a great way to add a snug warmth to your space. Fabula Living has recently brought out a hand-loom pile rug that is thick, soft and unique. Being hand-made they have irregularities in colour and weaving that give each piece individual characteristics and can even be made-to-measure to fit your room. The NANNA rug is available in a natural colour palette of charcoal, warm grey and light grey. Designed by Jens Landberg Schrøder, it is a truly danish piece and is made with New Zealand wool of the highest quality on a cotton warp thread base.
If you are looking to incorporate the Scandinavian style into your space but are concerned that you don’t have the right light, take a look at one of the latest manufacturers to join RB12, Le Klint. They have designed the stylish and slender SOLEIL pendant light. Made in Denmark, this piece focuses on using sustainable materials of hand-folded UV-resistant paper, natural flax cord and beautiful wooden details made from your choice of light oak or smoked oak. It could be placed over a dining area, in a restaurant or even in a business meeting room as it has a strong LED light, which through the pleated lampshade, prevents glare but still gives off plenty of light.
We have recently introduced a few more Scandi brands to our collection including; Louis Poulsen, House of Finn Juhl, One Collection, Northern, Design House Stockholm, FDB Møbler and Nuura Lighting. Keep an eye on our website to see what products we are adding to the store, or you can contact us here or give us a call on +44 (0) 2071 352 246 to discuss your interior needs.
Written by: Kate Nannery
Winter is fast approaching so we wanted to share with you how best to turn your living space into a cosy, warm retreat. You can do this without sacrificing on style, by selecting modern house items and the right colour palette bringing true comfort to your space.
Interior Colour Trends
Earthy, spicy tones are comforting and add warmth and depth to a room. These shades remind us of the natural world and give off a feeling of calm and ease. In fact, Dulux has chosen ‘Brave Ground’ – a warm, natural neutral that is said to help reconnect us and encourage a sense of community and harmony into the home – as their Colour of the Year 2021. This is a fantastic segway for people to choose autumnal colours such as burnt oranges, saffron yellows plus the more conventional grey-greens and soft browns to bring their spaces down to earth. These hues are hugely adaptable and can work in both a contemporary home or something more traditional. They are a timeless backdrop to a multitude of furniture combinations.
Complementing natural shades
A great way of complementing the kind of colours we’re talking about is to set them against brass, metallic finishes. The new Maison François Brasserie in London is a great example of this. The stunning dark mahogany wood and walnut shades create a cosy private atmosphere and are beautifully contrasted against the brass light fixtures.
The new A/W20 collection from Aromas lighting has some great options for trying to recreate this look, including the elegant Erto pendant light designed by AC Studios. This contemporary lamp has a gorgeous texture to it and is available in three different finishes including metal, matt brass and matt black. The muted light bounces from the inside reflective surface giving a toasted glow to your living space.
For a sleeker choice, another great lighting option from this collection is the Delie wall lamp designed by JF Sevilla. This design incorporates a rounded marble element alongside the option of either matt black or the old gold finish.
Matching timeless tones
Modern sofas are perfect for framing your room and can be showcased against more neutral backdrops, sands and coppers look great mixed with bold sitting room furniture. This can also be used the other way round by choosing the brighter colours as the backdrop and selecting more neutral finishes for your sitting area, giving a similar effect.
When it comes to sofa choices Bolia has a wide variety of options that fit perfectly with this type of scheme. Our first selection is the Lomi sofa designed by Meike Harde. This lounge piece is of typical Scandinavian design (archetypal of Bolia) and has cushions positioned closely to provide exceptional comfort. Plus the set includes a matching pouffe to rest your tired feet on, on these wintery nights.
The Cosy modular sofa by Bolia is a great option for flexibility, as this design is available in several different layout combinations. We particularly like the voluminous cushions that are combined with the narrow frame in the pictured Sea Green finish, and the visible stitching on this design is a lovely touch which really emphasizes the craftsmanship that’s gone into the piece.
Italian sofa manufacturers Saba Italia have also taken inspiration from the burnt orange trend with this setup. The Avant-Après sofa is a rigid yet lightweight seat that looks divine in this setting. It has taken a backseat behind the bold, bright colours but still invites you to fall into its unique detachable arm/backrests offering full flexibility once again.
For something a bit different, consider the Bonaldo Tirella armchair. We love the contrasting combination of the earthy orange and the deep blue pictured here. The back and armrests look like you could almost melt into them, and the hanging cushion design is quite unique.
Underfoot warmth
Adding a rug can make a big difference to the temperature in your room, especially if it’s being put down on a wooden or tiled floor. It is also an easy way to add another layer of comfort and style. Picking the right size, colour and shape rug for your room can be a challenge, although there are options out there for every room.
Armadillo has recently expanded their colour offering in three of their bestselling rugs – Braid, Malawi and Sherpa. They have chosen a calming yet playful palette using natural tones including a blush, a naturalistic kelp and a bright maize yellow. These earthy designs are made from a range of different materials.
Earthy Accessories
Recently featured on our Instagram ‘New Editions’ story highlight is the arrival of the new Lo de Manuela cushions. We took delivery of a beautiful selection of heavy velvet fabrics in colours that would look quite at home plumped up on any of the sofas selected above. We stock a variety of Lo de Manuela cushions including linen, cotton, velvet and patterned designs.
AYTM also have a wide selection of soft furnishings and accessories to make for a cosier home. The Arcus cushions come in unique shapes of luxurious velvet and are available in either deep black, Amber or Bordeaux red.
Accessories are important in bringing everything together and can truly make a space. When creating a comforting, nature-inspired home, handmade ceramics by Rina Menardi could be just what you’re looking for. Coming in a range of organic shapes and colours, they are a fusion of art, craftsmanship and function. You can check out a selection of her amazing vases, plates and other works at our home furniture store in Shoreditch, or our online homeware store here.
The Design House Stockholm Fireplace Table Lamp transforms the atmosphere of a glowing hearth into a compact sculptural light. Rather than taking the conventional form of a lamp base and shade, Fireplace uses glass, metal and controlled openings to create changing patterns of illumination around the room.
Part of the wider Design House Stockholm collection at RB12, Fireplace reflects the Swedish brand’s approach to publishing distinctive design ideas from independent designers rather than following one fixed visual language.
The result is a lamp that remains visually interesting even when switched off and becomes more animated as soon as the light begins interacting with the glass and surrounding structure.
Fireplace was created by HYBE DESIGN TEAM, led by designer and interior architect Jun Takeda.
The idea developed from an interest in the beauty and transparency of everyday glass objects and how that familiar material could be given an entirely different function through light.
The design was first unveiled as part of an installation at Rossana Orlandi Gallery during Salone del Mobile in 2023 before joining the Design House Stockholm collection, where it was officially published in 2025.
The Fireplace Lamp combines mouth-blown glass with powder-coated steel and a textile-covered cord.
The glass is suspended upside down over a base that recalls crossed pieces of firewood, creating the visual suggestion of a small contemporary hearth without directly reproducing a traditional fireplace.
The transparent glass also allows the light to remain visible from several directions, giving the lamp greater depth than a completely opaque shade.
One of Fireplace’s most distinctive qualities is the way the light interacts with the slotted surrounding structure.
Narrow openings allow the glow to escape in different directions, producing changing areas of light and shadow across nearby tables, floors, walls and windows.
Because the effect changes as you move around the lamp, Fireplace has a sense of visual movement despite being a completely stationary object. This is what allows it to suggest the flicker and changing character of a real fire without attempting a literal imitation.
The Fireplace Lamp is dimmable, allowing the character of the light to change depending on how the room is being used.
At a lower setting, the lamp becomes a softer atmospheric source for the evening. Increasing the light makes the pattern created by the slotted structure more visible and allows Fireplace to provide more practical illumination beside a sofa or chair.
This flexibility is important because Fireplace is intended to work as both a visual object and a functional source of light rather than being purely decorative.
Fireplace has compact proportions that allow it to sit on furniture or lower surfaces without requiring the height of a conventional shaded table lamp.
At less than 30 cm in each direction, Fireplace is compact enough for side tables and consoles while still having enough scale to work as a standalone sculptural object.
Design House Stockholm specifically suggests positioning Fireplace beside a sofa or chair, where the lamp can provide both atmospheric and practical illumination.
Placed on a low side table, its 27 cm height keeps the light close to the seating area and allows the glowing glass and surrounding shadows to remain clearly visible.
It can also be used as a reading light when a more focused source is required, then dimmed again when the priority shifts back to atmosphere.
Fireplace does not need to sit beside seating. Its compact form also makes it suitable for a console, cabinet, larger side table or other surface where a conventional lamp and shade might feel overly familiar.
When switched off, the glass and slotted structure remain visible as an object in their own right. When illuminated, the surrounding surface and wall become part of the effect as the light begins to move through the openings.
Design House Stockholm describes Fireplace as a response to dark Nordic winters and the instinctive association between warm light, fire and gathering together.
Rather than simply producing maximum brightness, the lamp focuses on the atmosphere created by light — reflection through glass, areas of shadow and a warmer visual centre within the room.
This makes Fireplace particularly relevant as part of a layered lighting scheme, where lower lamps create softer pools of light alongside ceiling, pendant or wall lighting.
Fireplace was first shown within a HYBE DESIGN TEAM installation at Rossana Orlandi Gallery during Salone del Mobile in 2023.
The concept was later developed for Design House Stockholm and officially published in 2025, bringing the experimental installation piece into the brand’s production lighting collection.
That background helps explain why Fireplace feels as much like a small lighting sculpture as a conventional domestic lamp.
If you are looking for sculptural lighting from Design House Stockholm, the most natural comparison is the Design House Stockholm Block Table Lamp.
The iconic Block Lamp by Harri Koskinen encloses the light source within cast glass, producing an intentionally simple object that has remained in production since 1997.
Choose Fireplace when you want warmer atmosphere, changing patterns of light and shadow and a more expressive sculptural presence. Choose Block when you prefer a smaller, clearer and more minimal glass lighting object.
RB12 carries a curated collection of Design House Stockholm furniture, lighting and accessories, including the Fireplace Lamp, Block Lamp and Luna lighting family.
Where Fireplace focuses on atmosphere and shadow, the wider lighting collection demonstrates several very different approaches to Scandinavian illumination — from the glass-encased Block Lamp to the clean spherical geometry of Luna.
For another Scandinavian table lamp where the light itself becomes part of the object, consider the Nuura Miira Table Lamp, which takes a softer and more refined glass-led approach.
The Bolia Reflection Table Lamp offers another Scandinavian alternative, while the AYTM Cycnus Table Lamp provides a more graphic contemporary expression.
Fireplace remains the more unusual choice when the aim is to create an intentionally warm, fire-like centre of light rather than a conventional lamp-and-shade composition.
Browse RB12’s wider collection of designer table lamps to compare Fireplace with Scandinavian, Italian and contemporary lighting in glass, metal, stone and other materials.
For a complete lighting scheme, explore the wider designer lighting collection for table lamps, floor lamps, pendant lights, wall lights and chandeliers.
Design House Stockholm recommends cleaning the Fireplace Lamp with a dry cloth.
The lamp is designed for indoor use only. Follow the manufacturer’s electrical and safety instructions supplied with the product when positioning, cleaning or maintaining the light.
