Wall Paintings
RB12’s wall paintings are glazed ceramic artworks rather than canvas or print, designed to hang as a single focal piece on the wall. Each one is handmade, with the craquelè pieces using a cracked-glaze finish for depth and texture.
The collection comes entirely from Rina Menardi, spanning four craquelè colourways alongside the more sculptural Oblò and Portali pieces, priced from around £349 to £524.
Showing all 6 resultsSorted by popularity
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Rina Menardi Portali
by Rina Menardifrom £393.00 Select options This product has multiple variants. The options may be chosen on the product page -

Rina Menardi Oblò Painting
by Rina Menardifrom £524.00 Select options This product has multiple variants. The options may be chosen on the product page -

Rina Menardi B&W Craquelè Painting
by Rina Menardifrom £349.00 Select options This product has multiple variants. The options may be chosen on the product page -

Rina Menardi Sepia Craquelè Painting
by Rina Menardifrom £349.00 Select options This product has multiple variants. The options may be chosen on the product page -

Rina Menardi Ink Craquelè Painting
by Rina Menardifrom £349.00 Select options This product has multiple variants. The options may be chosen on the product page -

Rina Menardi White Craquelè Painting
by Rina Menardifrom £349.00 Select options This product has multiple variants. The options may be chosen on the product page
Wall Paintings at RB12
Wall paintings sit within RB12's wider Gift & Decor range, and the collection here is built entirely around one Italian ceramic studio, Rina Menardi. Rather than canvas or print, these are ceramic wall pieces: ceramic tiles or panels designed to hang as artwork, bringing texture and glaze to a wall in the same way a painting brings colour.
Each piece is designed as a standalone artwork rather than part of a set, so you are choosing one focal composition per wall rather than building up a grid of smaller frames. That makes the decision closer to buying a single painting than to buying a print run.
Choosing the Right Size and Placement
Because these are ceramic panels rather than framed prints, proportion matters as much on the wall as it would above a sofa or console. A single Rina Menardi piece works well as the anchor of a wall, hung at a height where the centre of the composition sits roughly at eye level from a standing position in the room.
Consider the wall's other contents before buying: a plain wall in a hallway, above a sideboard, or beside a fireplace gives the piece room to read as art rather than competing with existing shelving or mirrors. Leave clear space around the piece rather than crowding it with other decor.
Materials and Finishes
All six pieces in this category are ceramic, glazed by hand, which gives each one a surface quality quite different from a printed canvas: light catches the glaze differently depending on the angle and the room's lighting. The craquelè finish, seen across several pieces here, is a deliberately cracked glaze effect that gives depth and age to the surface rather than a flat colour block.
Colourways range from monochrome to warmer tones, so the finish you choose should respond to the wall colour and the other ceramics or accessories already in the room, rather than being picked in isolation.
The Rina Menardi Collection
Within this category, Rina Menardi's range splits broadly into the craquelè paintings and a couple of more graphic pieces. The B&W Craquelè Painting, Sepia Craquelè Painting, Ink Craquelè Painting and White Craquelè Painting share the same cracked-glaze technique across four distinct colourways, from near-black to white, letting you match tone to wall rather than switching finish.
The Oblò Painting and Portali move away from the craquelè treatment towards a more sculptural, panel-based composition, better suited to a room that wants a single strong graphic piece rather than a subtle textured wall.
Pairing With the Rest of the Room
A Rina Menardi wall painting reads naturally alongside the studio's other ceramic work, so it is worth thinking about it as part of a wider decor scheme rather than an isolated hang. It pairs well above a sideboard from Sideboards or a low unit from Cabinets & Storage, with a table lamp or two from Table Lamps placed beneath to light the glaze in the evening.
In a living room, hang it opposite or beside seating from Sofas or Armchairs so it is visible from where people actually sit, rather than behind them. If you are furnishing the wall itself, it can also sit alongside a piece from Mirrors or a small run of Vases & Flower Pots on a console beneath, keeping the ceramic material consistent across the wall.
Care and Longevity
As glazed ceramic, these pieces need only a light dust or wipe with a dry or barely damp cloth; avoid abrasive cleaners on the glaze, particularly on the craquelè finishes where the cracked surface can hold more dust than a flat glaze. Keep the piece out of direct, sustained sunlight if the colour is a concern, though ceramic glaze is generally more stable than printed pigment over time.
Because each piece is a single fired object rather than a print behind glass, handle it carefully when hanging and check the fixing method recommended for ceramic wall art rather than a standard picture hook rated for lighter frames.
Shop Wall Paintings at RB12
RB12 stocks the full Rina Menardi wall painting range online, covering the craquelè series and the more sculptural Oblò and Portali pieces. Browse the collection above to compare finishes, or explore the wider Gift & Decor category for complementary ceramics, mirrors and accessories to complete the room.
Wall Paintings – frequently asked questions
What are Rina Menardi wall paintings made from?
They are glazed ceramic pieces rather than canvas or print, designed to hang on the wall in the same way a painting would. The craquelè pieces use a deliberately cracked glaze finish for texture.
How high should I hang a ceramic wall painting?
Aim to centre the piece at roughly eye level for someone standing in the room, adjusting slightly if it sits above a sideboard or console rather than on an empty wall.
What is the craquelè finish?
Craquelè is a glaze technique that produces a fine network of cracks across the ceramic surface, giving the piece depth and an aged quality rather than a flat, uniform colour.
What is the difference between the Craquelè paintings and the Oblò or Portali pieces?
The four Craquelè paintings (B&W, Sepia, Ink and White) share the same cracked-glaze technique in different colourways, while Oblò and Portali are more sculptural, panel-based compositions without the craquelè texture.
How much does a Rina Menardi wall painting cost?
Prices across the collection run from around £349 to £524, depending on the piece and finish you choose.
Where can I see the full Rina Menardi ceramics range?
RB12 carries the full Rina Menardi wall painting range, viewable via the brand page, alongside other Rina Menardi decor pieces.
Can I hang a wall painting above a radiator or fireplace?
It is best to keep ceramic wall pieces away from direct, sustained heat, so choose a wall away from a working fireplace or radiator to protect the glaze over time.
How do I clean a ceramic wall painting?
Dust lightly or wipe with a dry or barely damp cloth. Avoid abrasive cleaners, especially on the craquelè finishes where the cracked surface can trap more dust.
Do the colourways match other Rina Menardi ceramics?
The craquelè finishes span monochrome tones from near-black to white plus a sepia option, so it is worth checking your existing ceramics and wall colour before choosing one.
Can I hang more than one wall painting on the same wall?
You can, but because each piece is designed as a standalone composition, it usually reads better as a single focal point rather than grouped like smaller framed prints.
What rooms suit a Rina Menardi wall painting?
They work well in living rooms, hallways and dining spaces where there is a clear wall and enough distance to view the piece properly, particularly above a sideboard or console.
Are these pieces fragile?
As fired ceramic, they should be handled carefully when unpacking and hanging, and fixed using a method suitable for the weight and material of a ceramic panel rather than a lightweight picture hook.
What size wall works best for these paintings?
A plain, uncluttered wall gives the piece room to stand as the visual anchor; avoid walls already busy with shelving or multiple mirrors.
Does light affect the ceramic glaze over time?
Ceramic glaze is generally more stable than printed pigment, but it is still sensible to avoid placing a piece in constant direct sunlight if colour retention matters to you.
